This gwaebul depicts the Vulture Peak Assembly in which Shakyamuni Buddha preaches on Vulture Peak. It is a group image featuring Shakyamuni Buddha surrounded by Bodhisattvas, the Ten Great Disciples, the Four Heavenly Kings, Eight Classes of Divine Beings, and Vajra Guardians. In front of the altar on which Shakyamuni is sitting is a listener who is hearing the dharma he requested from Shakyamuni. Such a depiction of a listener in the appearance of a monk can also be found in The Vulture Peak Assembly Gwaebul at Yeongsusa Temple in Jincheon (1653) and The Assembly of the Three Buddhas Gwaebul at Chiljangsa Temple (1710). This gwaebul shares similarities in the iconographical arrangement and depictions of the figures with The Vulture Peak Assembly Gwaebul at Yeongsusa Temple in Jincheon that was created by the monk-painters Myeongok and Beopneung, both of whom joined the production of this example, in 1653. This work, however, presents a simpler composition with a smaller number of figures. Shakyamuni Buddha sitting in a full-lotus (cross-legged) position on an altar is making the Dharmachakra (turning the Wheel of Dharma) mudra with his left hand placed over his left knee and his right hand raised to shoulder height. He has a thin face with a narrow space between his eyebrows and small eyes and mouth. His blue head is depicted with a gem in the shape of a wish-granting jewel at the top of a cranial protuberance (ushnisha) and another semicircular jewel in the middle of his head. The red outer robe covering his shoulders is adorned with yellow scroll patterns set within circles. The undergarment covering his chest has flower patterns in gold leaf. Shakyamuni’s mandorla consists of a head halo and body halo. The inside of the blue-edged head halo is filled with lotus and scroll patterns. Five-colored auspicious energy fills the inside of the red-edged body halo. In front of the canopy above the head halo of Shakyamuni are two Buddhas with their hands together in prayer and with their bodies turned slightly to the sides while looking down. To the left of the canopy are four of the Buddhas of the Ten Directions and three of them are on the right. All of them are descending on clouds. Around the head halo of Shakyamuni are Dragon King and Dragon Maiden, four of the Eight Classes of Divine Beings, four Vajra Guardians, four of the Buddhas of the Other Realms, and eight disciples arranged symmetrically in three rows. The subordinates below them (two heavenly beings, Ananda, Kasyapa, six Bodhisattvas, and the Four Heavenly Kings) all have circular head halos. Except for the transparent head halos on two Bodhisattvas, the rest are colored in green. Inscriptions are recorded inside a red cartouche in the lower-center section of the painting and on the left and right sides of its lower edge. The inscription inside the cartouche states that a gwaebul was produced at Cheongryongsa Temple on Seounsan Mountain to the south of Anseong in the fifth lunar month of the Musul year (1658), the fifteenth year of the Shunzhi era. It also relates a prayer for the king, queen, and crown prince. The inscription in the right of the border lists the names of current and former head monks of Cheongryongsa and other monks as well. The inscription on the left records the names of donors and people who participated in the project. A total of five monk-painters took part in the creation of this gwaebul with Bakran as head monk-painter. The others were Myeongok, Eungsang, Jeongsim, and Beopneung.