This gwaebul painting is a group image presenting Rocana Buddha standing in the center surrounded by a symmetrical configuration of thirty-two figures, including the Buddhas of the Other Realms, Bodhisattvas, apsaras, the Ten Great Disciples, and the Four Heavenly Kings. The monk-painters who took part in the production of this gwaebul include Eungyeol, Hakjeon, and Seokneung. Given the similarities in the composition, iconographical arrangement, and depictions of figures and their clothing with The Rocana Buddha Gwaebul at Sudeoksa Temple, which they also produced in 1673, the same draft appears to have been used here. Rocana Buddha adorns himself with an ornate crown and beaded ornaments and makes the Dharmachakra (turning the Wheel of Dharma) mudra. Inside his head halo is written his name, reading “Perfect Reward Body of Rocana Buddha.” The crown is embellished with nine Nirmana Buddhas (transformation Buddhas). Among them, Vairocana Buddha in the center making the Bodhyangi (wisdom-fist) mudra is depicted larger than others. In the red edge of the body halo, eight Nirmana Buddhas are placed symmetrically. The green outer robe of Rocana is decorated with a Sanskrit character “ ” The Buddha also wears a red undershirt with medallion and scroll patterns and a white skirt-like garment. Above the head halo of Rocana Buddha are two of the Buddhas of the Other Realms and two Bodhisattvas sitting on lotus pedestals and flanked by an apsara holding offerings. On both sides of the head halo, the Ten Great Disciples, including Kasyapa and Ananda, are depicted standing with distinctive appearances. To the left and right of the body halo are Kshitigarbha Bodhisattva and White-Robed Avalokiteshvara Bodhisattva, each with a round head halo, and another pair of Bodhisattvas, each with a green head halo. In the lower portion of the painting are six Bodhisattvas, including Manjusri and Samantabhadra, three on each side of Rocana in three rows. They are flanked by Indra, Brahma, and the Four Heavenly Kings. This painting is characterized by auspicious energy in five colors (black, white, yellow, green, and red) stretching out from Rocana and filling the entire picture plane. No separate cartouches are added for inscriptions, but at the lower-center edge of the painting is an inscription recording donors, producers, and people in charge of different tasks. The end of the inscription indicates that the Great Vulture Peak gwaebul at Sinjeongsa Temple was produced in the sixth lunar month of the Gapjin year (1664). The head monk-painter was Eungyeol, and four other monk-painters, Hakjeon, Ikcheuk, Seokneung, and [illegible]han, took part in the production.